Wednesday, 14 January 2015

STOMACH SONG













WILLIAM WEGMAN does short films shot from his home using himself or his dogs, his weimaraners collection of dogs dressed in costume. I really like William Wagman’s films between 1970-1977, animating objects and involving his dogs in his quick, easily made films. The simplicity is engaging and humorous. They are giving speech to an object that does not possess the ability to speak, which is one of the areas of humor I want to continue to research.

Saturday, 6 December 2014

WHAT INSECT







Edwina Ashton has created films surrounding characters dressed as insects and other animals such as sheep. her film 'sheep' included two adjacent video screens with Ashton dressed in a believable sheep costume, one reading sheep jokes and the other tugs persistently at the costume. the characters have a blank, if no expression. she uses insects in her pieces after her studies in philosophy before studying at goldsmiths. she likes to use these as they are easy to play with, adapt and change into individual characters. she does most of the filming herself and the performances. http://www.timeout.com/london/art/edwina-ashton-interview all the animals she creates are influenced by animals and then formed through imagination, fantasy type characters that i really enjoy and can thread seems within my own work. http://blog.jerwoodvisualarts.org/?p=430

Edwina Ashton’s surreal and eccentric examples of imaginary insects and bugs are presented to be engaging with human activities, and on occasion wearing human clothing.  Ashton has motivated my work in many ways; I really enjoy the concentration of involving humans and animals in some sort of dysfunctional struggle or awkward social encounter. She is experimenting with the differentiation between the animal and the human due to language, communication, emotion and intentions. The expressions on the faces of the characters she creates also indicate strong resemblance to human emotions, however disguised and fantastical they may be, the association is there.
Ashton’s exclaims she is driven by embarrassment, which is a forceful human emotion. She’s looks at the character as an individual. Animals are constantly lumped together in to species, and I like this separation and create a persona for something we don't usually give these sorts of characteristics to.

Tuesday, 25 November 2014

CLOAK











progression of the cloak 


MY PRIDE


I have experimented with the fur creatures as suits, and now giving them voices without the people, i have chosen Pride and prejudices speech with elizabeth and darcy. the well spoken dialogue i think contrasts the poorly made unwashed sheep skin. the shape, lumpy, unattractive, also contrasts the speech and i think makes them funny.

STAGE COACHING



with a projection of the shots from home, the google maps with the pinky vortex i like. but still this doesn't work as it makes them look like stage characters, and not sculptures. also the projections make them hidden and covers the detail, so i think green screen would work better and with people inside them 

BORING



experimentation of them standing alone. i don't think they work alone that well. not enough substance